Myths & Legends of the Martial Arts

Author: Peter Lewis
Pub: 1998 by Prion Books Limited
Pages: 241
Ranking:![]()
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Although I sometimes question why some stories were included, and others left out, this is a fairly good collection of short "stories" or myths of the martial arts. They must be read with a 'grain of salt', since they are just myths, and perceptions of the author. Lite reading, and fun, however...
Contents
Introduction XI
The Nature of a Man 1
The Master Swordsman 5
Painting Legs on a Snake 9
The Shaolin Temple 11
The Karate Man and the Tiger 14
Five Against One 18
The Waiter and the Seaman 20
Beautiful Springtime 23
Iron Belly Shang 27
The Master of Strategy 30
Stick versus Sword 33
The Rebel Monk 36
The Bok Hok Pai Test of Courage 41
The Death Touch 46
The Drunken Boxer 51
The Teamaster and the Samurai 55
The Chi Gung Breath of Life 58
The Death of a Legend 62
Beaten by a Novice 66
King of the Thai Boxers 72
The Flower of Youth 74
The Journey of 1000 Miles 78
The Secret Champion 81
A Lesson in Humility 85
Look Beyond the Target 90
The Fight of No Fight Style 95
The Forty-Seven Ronin 99
The First Sumo 103
What's in a Name? 105
Patience is the Key 109
The River Workers' Lunch 113
The Deadliest Man on Earth 116
Empty Hands versus the Yakuza 120
The Black Assassins 124
When the Buddha Called 130
The Leaping Leopard 132
The Northern Mantis 135
The Great Thief 138
Fist of the North Wind 141
Ninja versus Ninja 144
The Overflowing Cup 148
The Invincible Warrior 150
Daddy's Scissors 153
David and Goliath Japanese Style 157
Committed to Death 160
The Herbalist 164
That Which is Useless is Everything 167
The Runaway Bull 171
Attack on the Bridge 174
Petals of Death 178
The Invisible Hand 183
The Gentle Way 189
The Peasants Against an Empire 195
Grand Ultimate Fist 199
Sul Sa 203
Jam Pon Ken 208
The Unseen Fan 213
The Shaolin Legacy 218
Master of Shuriken 223
The Deceptive Arrows 228
The Strategy of War 233
The Kung Fu Fisherman 237
Epilogue 241
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Introduction
There is an old Chinese proverb which states: 'A story grows bigger by the telling.' Much of what purports to be history within martial arts has been handed down verbally rather than scripted. Consequently, the truth becomes corrupted and facts tend to follow the fancy of whomsoever is telling the story. The truth is further tainted with embellishments from the storyteller's own imagination. A veritable potpourri of fact mixed together with a great deal of fiction distances the tale from its origins and the truth of actual events. Be that as it may, there is still a nucleus of original information within every myth, and this allows us to gather enough facts in order to understand, as well as to enjoy, it centuries later.
Translations of Southeast Asian manuscripts can often obscure more than they clarify. They say repetition eventually gives validity, and indeed the tales and legends are so often repeated that they have to be assessed upon their merit and given the benefit of the doubt. Some are just tales that got bigger by the telling. Whether or not the storytellers of old kept to the facts is of little consequence to us today. This book, although written purely for entertainment, does contain within the stories epigrams of ancient Oriental wisdom that still have something to say about how to live in our modern, technological age.
When writing about the distant and recent past in the Asian world, the Western reader has to be aware of the vastly different religious, cultural and political factors of the times. If not, and the reader does not accept the events in the stories, then a curtain is drawn that will prevent the reader from enjoying the stories for what they are-pure and simple. All too often, as Kipling so famously wrote, 'East is East and West is West and ne'er the twain shall meet.'
Much of the history of the martial arts is steeped in Oriental philosophies which span some 3,000 years. A story may not seem to have a point to it, but upon closer examination, by looking a little deeper, the essence of the tale will appear. An Asian reading Greek mythology for the very first time would find many of the stories quite preposterous. We must show respect to Asia's venerable traditions of folklore and fable and accept the stories just as they have been handed down.
Some of the legends related in this book will conjure tales of ancient kung fu masters founding the first principles of a fighting system that eventually lead to a true and systematised martial arts discipline. For example, 'Painting Legs on a Snake' is a story about making positive decisions, and 'Overflowing Cup' is a little tale that emphasises the point about learning and wisdom. The mix of material within a story is quite diverse because the intention is to cover the many aspects that make up the martial arts. Man, nature, religion and the universe all play an integral part in the Asian pantheon and for the most part run parallel with the founding and development of martial disciplines, and their underlying theme of thought immersed in philosophy.
Wisdom, wit, heroism and strength in adversity are just some of the many aspects to be found in the stories, along with the historical events that inspired the early beginnings of the martial arts.

























